Search This Blog


Ecevit, Art, and Politics
in 1950s Turkey

with Sarah-Neel Smith

hosted by Nicholas Danforth

Download the podcast
Feed | iTunes | Hipcast | Soundcloud

Although artistic production occurs in a political context, art and politics are often studied as separate fields of historical inquiry. Our guest in this episode, Dr. Sarah-Neel Smith, offers a reflection on the close relationship between art and politics in Turkey through a discussion of her research on the figure of Bülent Ecevit. As a politician, Ecevit is remembered for his four stints as Prime Minister of Turkey and his prominent positions in the Republican People's Party (CHP) and later in the Democratic Left Party (DSP). Yet during the early years of his career, Ecevit was also extremely active in intellectual pursuits as a writer and art critic. In this episode, Dr. Smith explores the intellectual life of Bülent Ecevit and the link between debates about art and culture and the development of democratic politics in Turkey during the 1950s.

Morocco’s New Migrant Class

with Isabella Alexander

hosted by Graham Cornwell

Download the podcast
Feed | iTunes | Hipcast | Soundcloud

“Hrig,” the Moroccan Arabic term for “illegal” immigration, translates to “burning.” In the latest episode of Tajine, Isabella Alexander discusses the dramatic rise in sub-Saharan migrants attempting to enter the E.U. from Morocco - now the primary entry point for all African migrations north. As Spanish officials start exploring their border controls further south in response,  hundreds of thousands of sub-Saharans now find themselves trapped in Morocco. Their act of “burning” signifies the literal burning of their identification papers to avoid repatriation when arrested by European authorities, but also the symbolic burning of their pasts in hopes of a better future abroad. They wait in sprawling slums outside of Moroccan cities, scraping together enough money to attempt the journey into Spain by boat or by land once again. But, what happens when their position in this liminal space—Morocco—becomes a permanent one?