Exploring the Early Modern Ottoman World

Episode 361

with Max Bechtold, Haley Holmes, Matthew Nolan, Megan Rowlands, Tanya Skyba-Bartholomew, and Amber Volz

Download the podcast
Feed | iTunes | GooglePlay | SoundCloud

In our final episode of Season 7, we feature four student contributions on life in the early modern Ottoman world. These student podcasts come from two university courses in which the podcast medium was integral as both course material and assignment: "Cities of the Sultans: Life in the Early Modern Ottoman Empire" (Michael Talbot, University of Greenwich) and "Podcasting the Ottomans" (Dana Sajdi, Boston College). Through these student podcasts, we explore how art and aesthetics figured into Ottoman engagements with their neighbors, and we go beyond the palace walls to explore facets of urban life in Ottoman cities.

Stream via SoundCloud 


Featuring:
Matthew Nolan and Amber Volz, Suleyman's Crown [4:31]
Tanya Skyba-Bartholomew, The Mahalle (Neighborhood) [15:05]
Megan Rowlands, Guilds [25:33]
Max Bechtold and Haley Holmes, Quatrefoil Rug [37:23]

More Listening

To hear our interview with Dana Sajdi and her Boston College students about the podcast medium and the course "Podcasting the Ottomans," play the embedded SoundCloud file below

To hear our interview with Michael Talbot and his University of Greenwich students about the podcast medium and the course "Cities of the Sultans," play the embedded SoundCloud file below


Credits


Episode No. 361
Release Date: 30 April 2018
Thanks to Max Bechtold, Scott Henderson, Haley Holmes, Matthew Nolan, Megan Rowlands, Dana Sajdi, Tanya Skyba-Bartholomew, Michael Talbot, and Amber Volz
Music: Istanbul'dan Ayva Gelir Nar Gelir - Azize Tozem and Sari Recep; Katibim (Üsküdar'a Gider iken) - Safiye Ayla; Harmandali - Recep Efendi, Cemal Efendi ; Baglamamin Dugumu - Necmiye Ararat and Muzaffer
Special thanks to Kara Günes for "Istanbul"


Images

Portrait of Suleyman the Magnificent, a profile bust wearing an elaborate crown with four tiers of goldwork and pearls. Engraving by Agostine Veneziano in 1535. https://mediakron.bc.edu/ottomans/objects/objects/suleymans-crown
Carpet from Ushak, Anatolia, circa the 16th Century. Source: Philadelphia Museum of Art. https://mediakron.bc.edu/ottomans/objects/quatrefoil-rug-1
The Doge's Palace. Source: Bridgeman Education Database. https://mediakron.bc.edu/ottomans/objects/quatrefoil-rug-1

Bibliographies


Suleyman's Crown
Matthew Nolan

Clot, Andre. Suleiman the Magnificent. 2012.

Covington, R. 2008. "East Meets West in Venice: The Profound Mutual Influences between East and West Inspired a Major Exhibition As Well As Fresh Looks at Venice by Historians". Saudi Aramco World. 59: 2-11.

Isom-Verhaaren, Christine. Allies with the Infidel: The Ottoman and French Alliance in the Sixteenth Century. London: I.B. Tauris, 2013.

New World Encyclopedia, s.v."Suleyman the Magnificent"

Necipoğlu, Gülru. 1989. "Süleyman the Magnificent and the Representation of Power in the Context of Ottoman-Hapsburg-Papal Rivalry". Art Bulletin / Ed. John Shapley [U.a.]. 401-427.

Ottoman Mahalles (Neighborhoods)
Tanya Skyba-Bartholomew

Primary sources 

Library of Congress, American Colony. Damascus and environs. Damascus. Straight Street. Near east gate (1920). Available at:
https://www.loc.gov/resource/matpc.11706/
(Accessed 29 November 2017).

Listen2 Quran, Quran: 24.Surat An-Nur (The Light) Arabic and English translation (2014) Available at:
https://www.youtube.com/watch?v=Bxb14OK8zjo
(Accessed 4 December 2017).

SMH 94:123:269 4 Dhu’l-Qa’da 1175 A.H./May 1762, cited in Elyse Semerdjian, “Off the Straight Path”: Illicit Sex, Law, and Community in Ottoman Aleppo (Syracuse, Syracuse University Press, 2008), 125.

Secondary sources

“Neighbours has a new home in Turkey with First Global Format Commission,” Fremantlemedia, 6 November 2017. Available at:
http://www.fremantlemedia.com/neighbours-has-a-new-home-in-turkey-with-first-global-format-commission/
(Accessed 6 December 2017).

Abu-Lughod, J., ‘The Islamic city: Historic myth, Islamic essence, and contemporary relevance’, International Journal of Middle East Studies 19 (1987), 166-176.

Ayalon, Y., ‘Ottoman urban privacy in light of disaster recovery’, International Journal of Middle East Studies 43/3 (2011), 513-528.

Behar, C, A Neighborhood in Ottoman Istanbul: Fruit Vendors and Civil Servants in the Kasap İlyas Mahalle (Albany, State University of New York Press, 2003).

Mikhail, A., ‘The heart’s desire: Gender, urban space, and the Ottoman coffee house’ in Ottoman Tulips, Ottoman Coffee: Leisure and Lifestyle in the Eighteenth Century, ed. Dana Sajdi (London and New York, IB Tauris, 2007).

Semerdjian, E., “Off the Straight Path”: Illicit Sex, Law, and Community in Ottoman Aleppo (Syracuse, Syracuse University Press, 2008).

Music

Komşular, Komşular 1. Bölüm - Tek Parça - Full Bölüm (7 November 2017) Available at: https://www.youtube.com/watch?v=iRij3meb8yc
(Accessed 6 December 2017).

Andrew Smith, ‘Neighbours’ Theme Songs- 1985-2015 (26 April 2014) Available at:
https://www.youtube.com/watch?v=1zXF2v4ZgaU
(Accessed 6 December 2017).

Tamil Taklamakan, 17th Century Ottoman Music by Dimitri Cantemir * 1673 (10 April 2012) Available at: https://www.youtube.com/watch?v=IeLwiIuMTHw
(Accessed 6 December 2017).

Guilds
Megan Rowlands

Primary sources

Çelebi, E., ‘Evliya Çelebi on the Istanbul Guilds’ in Dankoff, R., & Kim, S., An Ottoman Traveller: Selections from the Book of Travels of Evliya Çelebi. London: Eland, 2011.

Levni, A., (1720) ‘Parade of the Guilds: Butchers, Cooks, and Tanners’ in Sûrname-I Vehbi. Miniature paintings. http://web.archive.org/web/20110910083942/http://www.kanyak.com/surname-i-vehbi/images.html

Secondary sources

Dankoff, R., & Kim, S., An Ottoman Traveller: Selections from the Book of Travels of Evliya Çelebi. London: Eland, 2011.

Deniz Çalis-Kurai, B., Sehrengiz, Urban Rituals and Deviant Sufi Mysticism in Ottoman Istanbul. London: Routledge, 2016.

Faroqhi, S., McGowan, B., Quataert, D. & Pamuk S., An Economic and Social History of the Ottoman Empire. Cambridge: Cambridge University Press, 2004.

Faroqhi, S., Bread from the Lion’s Mouth: Artisans Struggling for a Livelihood in Ottoman Cities. New York: Berghahn Books, 2015.

Firat, B. Ö., Encounters with the Ottoman Miniature: Contemporary Readings of Imperial Art. London: I.B. Tauris, 2015.

Kasaba, R., The Ottoman Empire and the World Economy: The Nineteenth Century. New York: SUNY Press, 1988.

Lucassen, J., de Moor, T. & van Zanden, J.L., The Return of the Guilds. Cambridge: Cambridge University Press, 2008.

Qutaert, D., Manufacturing in the Ottoman Empire and Turkey: 1500-1950. New York: SUNY Press, 1994.

Woodhead, C., The Ottoman World, London: Routledge, 2013.

Yildirim, O. ‘Ottoman Guilds in the Early Modern Era’ IRSH 53 (2008) pp.73-93.

Music

Sultan Murad IV, Faith-I Bağdat. Youtube. Kalan Müzik, 1999.  https://www.youtube.com/watch?v=ha-rLE5MnAM

Quatrefoil Rug
Max Bechtold

Denny, Walter B. How to Read Islamic Carpets. New York: The Metropolitan Museum of Art, 2014.

Isom-Verhaaren, Christine. Allies with the Infidel: The Ottoman and French Alliance in the Sixteenth Century. London: I.B. Tauris, 2013.

Philadelphia Museum of Art, “Quatrefoil Rug”

Ward, Cheryl A. 2000. "The Sadana Island Shipwreck: The Red Sea in Global Trade". Saudi Aramco World. 54.


Comments


Ottoman History Podcast is a noncommerical website intended for educational use. Anyone is welcome to use and reproduce our content with proper attribution under the terms of noncommercial fair use within the classroom setting or on other educational websites. All third-party content is used either with express permission or under the terms of fair use. Our page and podcasts contain no advertising and our website receives no revenue. All donations received are used solely for the purposes of covering our expenses. Unauthorized commercial use of our material is strictly prohibited, as it violates not only our noncommercial commitment but also the rights of third-party content owners.

We make efforts to completely cite all secondary sources employed in the making of our episodes and properly attribute third-party content such as images from the web. If you feel that your material has been improperly used or incorrectly attributed on our site, please do not hesitate to contact us.